THE PHILOSOPHY PAGES


FRIEDRICH NIETZSCHE
THE COLLECTED WORKS

Philosophical & Philological Writings
  Homer and Classical Philology
1869, “Homer und die klassische Philologie”.
  The Future of our Educational Institutions
1872, “Gedanken über die Zukunft unserer Bildungsanstalten”.
  The Birth of Tragedy (trns. W. Kaufmann)
  The Birth of Tragedy (trns. Ian Johnston)
1872, “Die Geburt der Tragödie”.
  On Truth and Lies in a Nonmoral Sense
1873, “Über Wahrheit und Lüge im außermoralischen Sinn”.
  We Philologists (trns. J. M. Kennedy)
1874, “Wir Philologen”.
  Untimely Meditations I
1873, “David Strauss: der Bekenner und der Schriftsteller”.
  Untimely Meditations II
1874, “Vom Nutzen und Nachtheil der Historie für das Leben”.
  Untimely Meditations III
1874, “Schopenhauer als Erzieher”.
  Untimely Meditations IV
1876, “Richard Wagner in Bayreuth”.
  Human, All Too Human: A Book for Free Spirits
1878, “Menschliches, Allzumenschliches”.
  Assorted Opinions and Maxims
1879, “Vermischte Meinungen und Sprüche”.
  The Wanderer and His Shadow
1880, “Der Wanderer und sein Schatten”.
  Daybreak: On the Prejudices of Morality
1881, “Morgenröte”.
  The Gay Science
1882, “Die fröhliche Wissenschaft”.
  Thus Spake Zarathustra (trns. T. Common)
1883, “Also sprach Zarathustra”.
  Beyond Good and Evil (trns. Ian Johnston)
  Beyond Good and Evil (trns. Helen Zimmern)
1886, “Jenseits von Gut und Böse”.
  On the Genealogy of Morals: A Polemic
1887, “Zur Genealogie der Moral”.
  The Wagner Case: A Musician’s Problem
1888, “Der Fall Wagner”.
  The Antichrist (trns. W. Kaufmann)
  The Antichrist (trns. H.L. Mencken)
1888, “Der Antichrist”.
  Ecce Homo
1888, “Ecce Homo: Wie man wird, was man ist”.
  Nietzsche Contra Wagner (trns. W. Kaufmann)
1888, “Aktenstücke eines Psychologen”.
  Twilight of the Idols (trns. W. Kaufmann)
1889, “Götzen-Dämmerung”.
  The Will To Power
1889, “Der Wille zur Macht”.


Poetic Writings
  Idylls From Messina
1882, “Idyllen aus Messina”.
  Dionysus Dithyrambs:
I
, II, III, IV, V, VI, VII, VIII, IX.
1889, “Dionysos-Dithyramben”.


Letters, 1865-1889.

  1865, 1866, 1867, 1869, 1878:  I, II, III,
  1879, 1880, 1881:  I, II, III, IV, V, VI.
  1882:  I, II, III, IV, V, VI, VII, VIII, IX, X, XI, XII,
XIII, XIV, XV, XVI, XVII, XVIII, XIX, XX, XXI, XXII, XXIII, XXIV, XXV, XXVI, XXVII, XXVIII, XXIX, XXX, XXXI, XXXII, XXXIII, XXXIV, XXXV, XXXVI, XXXVII, XXXVIII, XXXIX.
  1883:  I, II, III, IV, V, VI, VII, VIII.
  1884:  I, II, III, IV, V, VI.
  1885:  I, II, III.
  1886:  I, II, III, IV.
  1887:  I, II, III, IV, V, VI, VII, VIII.
  1888:  I, II, III, IV, V. VI, VII, VIII, IX, X, XI,
XII, XIII, XIV, XV.
  1889:  I, II, III, IV, V, VI, VII, VIII, IX, X, XI,
XII, XIII, XIV, XV, XVI, XVII, XVIII, XIX.


† Some texts are only available online in excerpted form, until full text versions are available they will not be published here.







5

Nice, December 2, 1887: Letter to Georg Brandes

Esteemed sir,

[....] On my scale of experiences and events the rarer, the more distant, the finer registers predominate over the normal, middling ones. I also have (to speak like an old musician, which in fact I am) an ear for quarter-tones. Finally—and no doubt this above all is what makes my books obscure—I have a mistrust of dialectic, even of reasons. Whether a man is ready to call something true or not seems to me to be more a matter of the degree of his courage. (Only rarely do I have the courage to affirm what I actually know.)

Your expression “aristocratic radicalism” is very good. It is, if you will allow me, the shrewdest thing I have seen about myself so far. [....]

Are you a musician? Just now a work of mine for chorus and orchestra, “Hymn to Life,” is being published. Of my various musical compositions, this one is intended to survive and to be sung one day “in memory of me,” assuming, of course, that enough of the rest of me survives. You see what posthumous thoughts occupy my mind. But a philosphy like mine is like a tomb—it seals one off from the living. Bene vixit qui bene latuit ["Who has hidden himself well has lived well"—Horace]—that’s what is written on the gravestone of Descartes. An epitaph if there ever was one!

[....] I gave up my university professorship. I’m three-quarters blind.

 




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