|
FRIEDRICH NIETZSCHE
THE COLLECTED WORKS
|
|
Philosophical & Philological Writings
Homer and Classical Philology 1869, “Homer und die klassische Philologie”.
The Future of our Educational Institutions 1872, “Gedanken über die Zukunft unserer Bildungsanstalten”.
The Birth of Tragedy (trns. W. Kaufmann)
The Birth of Tragedy (trns. Ian Johnston) 1872, “Die Geburt der Tragödie”.
On Truth and Lies in a Nonmoral Sense 1873, “Über Wahrheit und Lüge im außermoralischen Sinn”.
We Philologists (trns. J. M. Kennedy) 1874, “Wir Philologen”.
Untimely Meditations I 1873, “David Strauss: der Bekenner und der Schriftsteller”.
Untimely Meditations II 1874, “Vom Nutzen und Nachtheil der Historie für das Leben”.
Untimely Meditations III † 1874, “Schopenhauer als Erzieher”.
Untimely Meditations IV † 1876, “Richard Wagner in Bayreuth”.
Human, All Too Human: A Book for Free Spirits 1878, “Menschliches, Allzumenschliches”.
Assorted Opinions and Maxims 1879, “Vermischte Meinungen und Sprüche”.
The Wanderer and His Shadow 1880, “Der Wanderer und sein Schatten”.
Daybreak: On the Prejudices of Morality † 1881, “Morgenröte”.
The Gay Science † 1882, “Die fröhliche Wissenschaft”.
Thus Spake Zarathustra (trns. T. Common) 1883, “Also sprach Zarathustra”.
Beyond Good and Evil (trns. Ian Johnston)
Beyond Good and Evil (trns. Helen Zimmern) 1886, “Jenseits von Gut und Böse”.
On the Genealogy of Morals: A Polemic 1887, “Zur Genealogie der Moral”.
The Wagner Case: A Musician’s Problem † 1888, “Der Fall Wagner”.
The Antichrist (trns. W. Kaufmann)
The Antichrist (trns. H.L. Mencken) 1888, “Der Antichrist”.
Ecce Homo † 1888, “Ecce Homo: Wie man wird, was man ist”.
Nietzsche Contra Wagner (trns. W. Kaufmann) 1888, “Aktenstücke eines Psychologen”.
Twilight of the Idols (trns. W. Kaufmann) 1889, “Götzen-Dämmerung”.
The Will To Power 1889, “Der Wille zur Macht”.
Poetic Writings
Idylls From Messina † 1882, “Idyllen aus Messina”.
Dionysus Dithyrambs:
I,
II,
III,
IV,
V,
VI,
VII,
VIII,
IX. 1889, “Dionysos-Dithyramben”.
Letters, 1865-1889.
1865,
1866,
1867,
1869,
1878: I,
II,
III,
1879,
1880,
1881: I,
II,
III,
IV,
V,
VI.
1882: I,
II,
III,
IV,
V,
VI,
VII,
VIII,
IX,
X,
XI,
XII,
|
XIII,
XIV,
XV,
XVI,
XVII,
XVIII,
XIX,
XX,
XXI,
XXII,
XXIII,
XXIV,
XXV,
XXVI,
XXVII,
XXVIII,
XXIX,
XXX,
XXXI,
XXXII,
XXXIII,
XXXIV,
XXXV,
XXXVI,
XXXVII,
XXXVIII,
XXXIX. |
1883: I,
II,
III,
IV,
V,
VI,
VII,
VIII.
1884: I,
II,
III,
IV,
V,
VI.
1885: I,
II,
III.
1886: I,
II,
III,
IV.
1887: I,
II,
III,
IV,
V,
VI,
VII,
VIII.
1888: I,
II,
III,
IV,
V.
VI,
VII,
VIII,
IX,
X,
XI,
XII,
XIII,
XIV,
XV.
1889: I,
II,
III,
IV,
V,
VI,
VII,
VIII,
IX,
X,
XI,
XII,
XIII,
XIV,
XV,
XVI,
XVII,
XVIII,
XIX.
† Some texts are only available online in excerpted form, until full text versions are available they will not be published here.
|
|
|
|
|
13
Turin, January 4, 1889: Letter to Peter Gast1
To My Maestro Pietro,
Sing me a new song: the world is transfigured and all the heavens are joyous.
The Crucified.
1 Peter Gast (1854-1918)Born Heinrich Köselitz, Gast was a composer who moved to Basel in 1875 to study under Nietzsche and Franz Overbeck. He became Nietzsche’s “editor” and proofreader in 1876, after having copied the manuscript Richard Wagner in Bayreuth as a birthday gift for Wagner. A close friend for years, Gast was the one person who was able to decipher Nietzsche’s handwriting and worked for Elizabeth Nietzsche in the Nietzsche Archive from 1900-1908. |
| |
|